{"created":"2023-07-25T07:58:45.760030+00:00","id":6707,"links":{},"metadata":{"_buckets":{"deposit":"685b9b8c-889d-4e15-bcdf-33d7ce8d71e0"},"_deposit":{"created_by":22,"id":"6707","owners":[22],"pid":{"revision_id":0,"type":"depid","value":"6707"},"status":"published"},"_oai":{"id":"oai:rissho.repo.nii.ac.jp:00006707","sets":["11:351:356:594"]},"author_link":["8342","8341","8340"],"item_4_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2020-03-31","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"36","bibliographicPageEnd":"44","bibliographicPageStart":"25","bibliographic_titles":[{"bibliographic_title":"大学院紀要"},{"bibliographic_title":"Bulletin of the Graduate School of Humanities and Sociology Rissho University","bibliographic_titleLang":"en"}]}]},"item_4_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"Sarah Josepha Hale （1788-1879） was one of the foremost women engaged in literary\nprint culture in the middle of nineteenth-century America. As a writer, she published novels,\npoetry, books on cooking and housekeeping, children’s books, anthologies, and an ambitious\nnine-hundred-page encyclopedia of prominent women in history. As an editor of\nGodey’s Lady’s Book, the most widely circulated woman’s magazine especially in the\n1860s, she wrote monthly editorials and book reviews, regularly contributed fiction and\npoetry to the magazines, and published the work of such writers as Edgar Allan Poe, Harriet\nBeecher Stowe, Oliver Wendell Holmes, and Lydia Sigourney. Hale and her magazine\nwere “the arbiter of the parlor, the textbook of the kitchen —— the last word of authority\nin every home.”\n　In the anti-professional climate of magazine publishing world in the 1820s, Hale condemned\nmany magazine editors for relying on pirated material, declaring candidly that her\n“periodical is not a compilation, ［…］. The work is to be wholly original articles.” But in\nspite of her condemnation of the so-called “scissors editors,” Hale herself was what might\nbe called a “scissors autobiographer.” Her sketches “memorialize” the events of her literary\nlife, and repeatedly tell the story of how she was involved in the public sphere of print culture.\n　In antebellum America, Hale advocated her domestic ideology based on the philosophies\nof the republican Enlightenment and the ideas of Victorian gendered morality. She has long\nbeen considered as a conservative who formented a sentimental culture predominantly of\nwhite middle-class women, and as an “anti-feminist” who promoted the “separate spheres”\nideology which called for women’s retreat into the private home. I believe, however, that\nHale’s domesticity was a discourse that could justify women’s public presence, against the\npredominant doctrine of the “woman’s sphere”: the domestic discourse that a woman could\nbe a “citizeness” in the civil society. How does the domestic ideology function in her autobiographic\nsketches, then? These texts carefully create the self-image of Sarah Josepha\nHale, a Godey’s “venerable authoress and editoress.” This image is of a respectable woman,\nperforming privacy even as she is undertaking public work; she appears pious and moralistically\nsubmissive while enacting public agency. This paper, therefore, explores the ways in\nwhich she strategically negotiated the domestic discourse in her sketches, and provided her\nyoung readers with a template for the discursive construction of a private woman in public.\n　In her autobiographic sketches, Hale tells only about her literary history: （1） her\nmother’s influence on Hale’s reading habits, （2） a formative reading experience in her\nchildhood, （3） academic tutelage of her brother and her husband, （4） widowhood with five\nfatherless children, and （5） her decision to accept the editorship to support and educate\nher children. Through the domestic discourse in her sketches, Hale scrupulously produced\nher public image that embodied the magazine’s unchanging ideal of womanhood. She thus\nattempted to provide a vocabulary of how women could achieve a public presence without\nbeing too controversial in nineteenth-century America. She hoped that there would be\nmore female citizens who would be responsible for and contribute to the moral development\nof civil society, as herself who featured on the pages of her own autobiographic texts.","subitem_description_type":"Abstract"}]},"item_4_full_name_2":{"attribute_name":"著者(ヨミ)","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"8341","nameIdentifierScheme":"WEKO"}],"names":[{"name":"マスダ, クミコ"}]}]},"item_4_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.34386/00007713","subitem_identifier_reg_type":"JaLC"}]},"item_4_publisher_35":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"立正大学大学院文学研究科"}]},"item_4_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"09112960","subitem_source_identifier_type":"ISSN"}]},"item_4_version_type_18":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"増田, 久美子"}],"nameIdentifiers":[{"nameIdentifier":"8340","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"MASUDA, Kumiko","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"8342","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2020-08-08"}],"displaytype":"detail","filename":"in_kiyo_36_102_masuda.pdf","filesize":[{"value":"919.3 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"切り貼りされる自己語り","url":"https://rissho.repo.nii.ac.jp/record/6707/files/in_kiyo_36_102_masuda.pdf"},"version_id":"5431ac07-4c2c-4f14-8e5c-84515f894d81"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"19世紀アメリカ文学","subitem_subject_scheme":"Other"},{"subitem_subject":"アメリカ女性作家","subitem_subject_scheme":"Other"},{"subitem_subject":"家庭性","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"切り貼りされる自己語り―セアラ・ヘイルの自伝的記述における家庭性―","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"切り貼りされる自己語り―セアラ・ヘイルの自伝的記述における家庭性―"},{"subitem_title":"Scissors Autobiographer : Domesticity in Sarah Hale’s Autobiographical Sketches","subitem_title_language":"en"}]},"item_type_id":"4","owner":"22","path":["594"],"pubdate":{"attribute_name":"公開日","attribute_value":"2020-08-08"},"publish_date":"2020-08-08","publish_status":"0","recid":"6707","relation_version_is_last":true,"title":["切り貼りされる自己語り―セアラ・ヘイルの自伝的記述における家庭性―"],"weko_creator_id":"22","weko_shared_id":22},"updated":"2023-07-25T12:27:58.291492+00:00"}